Deception in young adult dating

Deception in young adult dating-32
Trapped by Apollo's unwanted advances, Daphne prays to her father, the river god Peneus, who turns her into a laurel, the tree sacred to Apollo.It is the first of several unsuccessful or tragic love affairs for Apollo.In other contexts, Cupid with a dolphin recurs as a playful motif, as in garden statuary at Pompeii that shows a dolphin rescuing Cupid from an octopus, or Cupid holding a dolphin.

Trapped by Apollo's unwanted advances, Daphne prays to her father, the river god Peneus, who turns her into a laurel, the tree sacred to Apollo.It is the first of several unsuccessful or tragic love affairs for Apollo.In other contexts, Cupid with a dolphin recurs as a playful motif, as in garden statuary at Pompeii that shows a dolphin rescuing Cupid from an octopus, or Cupid holding a dolphin.

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In myths, Cupid is a minor character who serves mostly to set the plot in motion.

He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love.

A mosaic from late Roman Britain shows a procession emerging from the mouth of the sea god Neptune, first dolphins and then sea birds, ascending to Cupid.

One interpretation of this allegory is that Neptune represents the soul's origin in the matter from which life was fashioned, with Cupid triumphing as the soul's desired destiny.

Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy.

During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire.His symbols are the arrow and torch, "because love wounds and inflames the heart." These attributes and their interpretation were established by late antiquity, as summarized by Isidore of Seville (d. Cupid is also sometimes depicted blindfolded and described as blind, not so much in the sense of sightless—since the sight of the beloved can be a spur to love—as blinkered and arbitrary.As described by Shakespeare in A Midsummer Night's Dream (1590s): Love looks not with the eyes, but with the mind And therefore is winged Cupid painted blind.The multiple Cupids frolicking in art are the decorative manifestation of these proliferating loves and desires.During the English Renaissance, Christopher Marlowe wrote of "ten thousand Cupids"; in Ben Jonson's wedding masque Hymenaei, "a thousand several-coloured loves ... Cupid is winged, allegedly, because lovers are flighty and likely to change their minds, and boyish because love is irrational.The use of these arrows is described by the Latin poet Ovid in the first book of his Metamorphoses.When Apollo taunts Cupid as the lesser archer, Cupid shoots him with the golden arrow, but strikes the object of his desire, the nymph Daphne, with the lead.A variation is found in The Kingis Quair, a 15th-century poem attributed to James I of Scotland, in which Cupid has three arrows: gold, for a gentle "smiting" that is easily cured; the more compelling silver; and steel, for a love-wound that never heals.complaining that so small a creature shouldn't cause such painful wounds.Cicero, however, says that there were three Cupids, as well as three Venuses: the first Cupid was the son of Mercury and Diana, the second of Mercury and the second Venus, and the third of Mars and the third Venus.This last Cupid was the equivalent of Anteros, "Counter-Love," one of the Erotes, the gods who embody aspects of love.

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